Free Ebook The Christian Imagination: The Practice of Faith in Literature and Writing (Writers' Palette Book), by Leland Ryken

Free Ebook The Christian Imagination: The Practice of Faith in Literature and Writing (Writers' Palette Book), by Leland Ryken

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The Christian Imagination: The Practice of Faith in Literature and Writing (Writers' Palette Book), by Leland Ryken

The Christian Imagination: The Practice of Faith in Literature and Writing (Writers' Palette Book), by Leland Ryken


The Christian Imagination: The Practice of Faith in Literature and Writing (Writers' Palette Book), by Leland Ryken


Free Ebook The Christian Imagination: The Practice of Faith in Literature and Writing (Writers' Palette Book), by Leland Ryken

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The Christian Imagination: The Practice of Faith in Literature and Writing (Writers' Palette Book), by Leland Ryken

Amazon.com Review

The Christian Imagination is an exceptional exploration of Christian belief, imagination, reading, and writing. Leland Ryken has collected essays and excerpts, long and short--nearly 500 pages' worth--all devoted (some more directly than others) to "thinking Christianly about literature." Contributors including J.R.R. Tolkien, Madeleine L'Engle, Flannery O'Connor, and T.S. Eliot discuss such topics as a Christian philosophy of literature, success and failure in current Christian fiction and poetry, realism, fantasy, and narrative. Perhaps the most common thread among these pieces is the understanding that Christian art "is by no means," as Ryken puts it, "always religious art." If you want to make a Christian work, advises Jacques Maritain, "then be Christian, and simply try to make a beautiful work." Also of particular interest is Clyde S. Kilby's "The Aesthetic Poverty of Evangelicalism." Despite the fact that the Bible is "a piece of art ... an imaginative book," says Kilby, the people who spend the most time with it "are in large numbers the foes of art and the sworn foes of imagination." --Jane Steinberg

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From Publishers Weekly

This sweeping, magnificent anthology challenges Christians to think more deeply about the connections between faith and literature, creed and imagination. Ryken, who has previously explored the intersection between the literary and the spiritual in How to Read the Bible as Literature and The Discerning Reader, brings together Christian thinkers from a broad spectrum of time periods and literary disciplines. The collection opens with a section called "Christian Philosophy of Literature," which despite its dry title features memorable selections by luminaries such as Annie Dillard, C.S. Lewis and Francis Schaeffer. Other sections address issues such as imagination, beauty, teaching, realism, myth and fantasy, poetry, and narrative; with a collection of this size, it is surprising that the essays are of such consistently high quality. One wishes that all fiction editors at Christian publishing houses would read Richard Terrell's essay "Christian Fiction: Piety Is Not Enough," in which he identifies the problems inherent in creating "safe" fiction that must always be devoid of profanity, violence and sex. Other gems include Frederick Buechner's masterpiece "The Gospel as Fairy Tale," J.R.R. Tolkien's "The Consolation of the Happy Ending" and Madeleine L'Engle's "Is It Good Enough for Children?" Walker Percy and Flannery O'Connor offer strong autobiographical essays on being Christian novelists. Poetry is not neglected here, with essays by Luci Shaw, Wendell Berry and others testifying to the importance of poetry in the Christian experience. This is a rich, judicious collection of reflections on Christianity and literature. Copyright 2002 Cahners Business Information, Inc.

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Product details

Series: Writers' Palette Book

Paperback: 480 pages

Publisher: Shaw Books; Revised, Expanded edition (February 19, 2002)

Language: English

ISBN-10: 0877881235

ISBN-13: 978-0877881230

Product Dimensions:

6 x 1.2 x 9 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#271,390 in Books (See Top 100 in Books)

Beginning with a Christian philosophy of literature, this book takes you through numerous, luminous ways in which poets and writers have united truth, beauty, and the imagination to produce great works of literary art. Editor Leland Ryken selected a remarkable range of viewpoints on such topics as realism, myth, fantasy, poetry, and narratives in diverse chapters by Annie Dillard, Denise Levertov, Robert Siegel, J.R.R. Tolkien, John Ciardi, George MacDonald, C.S. Lewis, and others. Although I highly recommend this book for teachers and avid readers of literature, I consider it much more - a primary text, perhaps - for Christian poets, Christian writers, and Christian editors who want their work to be effective now but also for generations yet to come.

Great read; extremely informative. Arrived on time and in fantastic condition.

If you want to learn about the impact and legacy of Christian writers (good and bad, but mostly good), this is the place to start. Featuring writings from many of the famous authors themselves on writing, plus essays from other onlookers. A must read for all literature students and readers.

Leland Ryken brings us a terrific collection of essays that brings us into contact with faith and literature at the crossroads.

Used for home school co-op.

Very good book.

Excellent book.

Ryken's rich and at times overwhelming collection of essays, musings, and pithy apologetic pieces on beauty, imagination, Christian thought, narrative, and poetry is richly diverse and thought provoking.In this 100,000 word+ tome we get glimpses of what led C. S. Lewis to write the Narnia chronicles, what Annie Dillard thinks of literature as an art object, and Tolkein's view of the important of a happy ending--as well as dozens of other forays into thought on literature, reading, and life.I found the views varied and, for the most part, refreshingly insightful. I will admit though, that I skipped some of the chapters that were excruciatingly dense and didactic. They'd quite clearly been written not by narrative artists but by academics, and despite my best intentions, I just wasn't able to plow through them.As long as you're willing to skip the parts that aren't of interest to you, this book is well-worth buying, reading, and savoring. Just don't expect every mouthful to be as tasty as the rest.

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